KAL KISNE DEKHA

At the very beginning of the album, Sajid-Wajid are heard in ' Aalam Guzame Ko '. It is a kind of mushy romantic member. The track is smooth flowing and extremely easy on ears. A fast moving dance member with a Punjabi touch to it and some lazy singing, Soniye Billori' is predictable with the Antara portions being a better here then the opening lines. Then there is turnaround in the proceeding with 'Aasma Jhuk Gaya' where melody love mush and romance is back into the album. The beauty of 'Aalam Guzarne Ko' lies in the fact that it has a grand appeal to it by means of arrangements while being set in the melody. From 70s music moves to the world of 80s as ' 70s styleJashn Hai Josh Hai' reminds of the kind that could well have been composed for a Feroze Khan movie. If there is a number that would sit right at the top of the album, it has to be 'Tere Bina Lagta Nahiina Jiya' . Overall, it is a possinate song and comes with good energy inspite of its sad settings. The number is arranged well too, well hence bosting of a rich feel.

A 90-Second track 'Bin Tere Mar Javan Mein' has a semi classical touch and reminds of a style that has been heard in films coming from the house of Subhash Ghai. Finally, the much awaited title song 'Kal Kisne Dekha' has everything from the right mix of melody-n-rhythm; high enery, elaborate arrangements to foot tapping appeal and a 'climax song' feel to it.
A 100-second 'Romantic Version' (which takes an about turn from being a dance member) brings the album to a satysfying end.